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Situated around 1981, the date of the inauguration of the Museo Tamayo, and 1991, the year of the death of Rufino Tamayo, and the longest total solar eclipse of the 20th century, the exhibition Before the Eclipse. Archeologies of Art in Mexico proposes a retrospective look at artistic practices and explorations at the edge of time and history, which anticipate central interests for contemporary art today: the ecological crisis, the resignification of the popular and the mythical, as well as the critical reflection of national history.
The exhibition presents works by Mexican and foreign artists —fundamental to current art— who lived and worked in Mexico during the eighties and early nineties. Their works arise from experiences marked by exile, as well as by reflections on the archaeological past, the historical landscape, the vernacular and the sociocultural phenomena of the time. In an era marked by the discovery of the Templo Mayor in the heart of Mexico City, a profound economic crisis, a devastating earthquake, and a total solar eclipse, the exhibition revolves around the cultural, political and national transitions that were essential to the artistic imaginary of the time.
The more than 100 works included in this exhibition —including sculptures, drawings, videos, paintings and installations— constitute a constellation of works that, in addition to encompassing a transgenerational perspective, are not part of any artistic current, nor do they belong to the trends generally associated with the 1980s. These are works that do not emerge from the political and countercultural currents that operated as a result of the actions of the artistic groups of the seventies.
On the 45th anniversary of the Museo Tamayo, Before the Eclipse. Archeologies of Art in Mexico establishes a dialogue with the thinking of Rufino Tamayo and the first decade of the museum, and represents an effort to reconsider the decisive role of history in the ways of making and imagining art today.
Artists: Abraham Cruzvillegas, Adolfo Patiño, Adolfo Riestra, Ángela Gurría, Antonio Turok, Beatriz Ezban, Bob Schalkwijk, Boris Viskin, Carla Rippey, Carlos Arias, Carlos Ginzburg, Cisco Jiménez, Claudia Fernández, Diego Toledo, Eduardo Abaroa, Enrique Cantú, Enrique Cava, Estela Hussong, Eugenia Vargas, Felipe Ehrenberg, Francis Alÿs, Francisco “Taka” Fernández, Gabriela Ortiz Torres, Gabriel Orozco, Gerardo Suter, Gerda Warnholtz, Germán Venegas, Gregorio Rocha, Guillermo Santamarina, Helen Escobedo, Javier Alvarez, James H.D. Brown, Jan Hendrix, Jimmie Durham, Jose Bedia, Juan Francisco Elso, Juan José Gurrola, Laureana Toledo, Lourdes Grobet, Magali Lara, Manuel Rocha, Marcos Kurtycz, Maria Thereza Alves, Mario Rangel Faz, Martha Hellion, Manuel Rocha, Mauricio Maillé, Mauricio Rocha, Melanie Smith, Monica Castillo, Nestor Quinones, Roberto Turnbull, Rogelio Cuellar, Rosario Garcia Crespo, Rubén Ortiz Torres, Rufino Tamayo, Sarah Minter, Silvia Gruner, Thomas Glassford, Ulf Rollof, Yolanda Yolanda Gutierrez and Yolanda Gutierrez.
Curated by: Maco Sánchez Blanco and Andrea Torreblanca
Crédito de imagen:
Francisco "Taka" Fernández. El Bernalejo , San Luis Potosí (detail), 1991. Artist's collection.
Para socializar la heterogeneidad de voces que construyen la exposición colectiva OTRXS MUNDXS y profundizar en el discurso de las obras exhibidas en el Museo Tamayo, le pedimos a lxs artistas que nos hablen acerca de los conceptos o ideas que son importantes para expandir los discursos o motivaciones de su práctica.
