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Starting Thursday, March 17 at the Tamayo Museum Theater, “Pasiphaé” will be presented, a one-act play by Henri de Montherlant directed by Juan José Gurrola and starring Claudio Brook, Vera Larrosa and cast.
Henri de Montherlant was born in Paris in 1896. From a very young age, he began in literature and his brilliant career as a playwright, carried out mainly in his maturity, tended to put his work as a novelist and essayist in the background.
In “Pasiphaé” (1928) Montherlant draws the solitary confrontation of a destiny between desire and death, a classic theme in Greek tragedy. Although Montherlant himself confessed that “Pasiphaé” was the fruit of a much more ambitious work he ever did and should be called “The Cretans”, André Gide commented on this short tragedy:
“Montherlant has undoubtedly written the most beautiful text in the French language since the beginning of the century.”
In this work, the character of the Queen of Crete embodies the determination that leads to the act in which the force of desire and its unacceptable dimension, the tragic world and the affirmation of the untamed currents that govern the acts of life come together.
The performance of “Pasiphaé” directed by Gurrola includes:
“Daedalus's Machine”, set by James Metcalf, Ana Pellicer and Gurrola himself, which can be seen in the theater lobby and will introduce the public to the tragic environment of the play.
Para socializar la heterogeneidad de voces que construyen la exposición colectiva OTRXS MUNDXS y profundizar en el discurso de las obras exhibidas en el Museo Tamayo, le pedimos a lxs artistas que nos hablen acerca de los conceptos o ideas que son importantes para expandir los discursos o motivaciones de su práctica.
