Chronicles of Absence curated by Daniela Pérez, was an exhibition whose purpose is to promote dialogue between the work of the Brazilian artist Rosángela Rennó and the Colombian artist Oscar Muñoz, around the transience of visual memory and the idea of oblivion. Through objects, videos, installations and photographs that refer to anonymous individuals, monuments and missing persons, artists address the issue of social amnesia and how quickly society forgets the images it sees every day. “Chronicles of Absence” brings together a selection of works produced from the beginning of the 90s to the present and addresses, mainly, memory and oblivion as interdependent ideas. The images of Rennó and Muñoz are positioned in a temporary space between presence and absence, this status gives them a new meaning, which without ignoring their contemporary form, accounts for the order of time that each photograph inevitably and nostalgically contains. Both Rennó and Muñoz's works are nourished by the passage of time, to question the social use of photography as well as the political nature of the photographic image.